Steps what was chick corea

Corea and his cohorts improvise to create a spacey, extremely atmospheric slice of avant-garde sound defined by booming bass notes, stroked piano strings, and various percussive effects. He would go on to bigger things, of course — including playing with Miles Davis and founding the jazz-rock supergroup Return To Forever — but his only album for Solid State remains a musical touchstone in his canon.

Save my name, email, and website in this browser for the next time I comment. Search uDiscover Music. Rather than focus again on original sketches, the trio turns to a couple of equally fertile areas, free improvisation and the compositions of Thelonious Monk.

The free improvs display an uncanny togetherness. In the first improv, the players romp through three minutes of tight freebop action, and at the end, an unprecedented closing figure is phrased simultaneously by piano and drums, an example of what the irrational might call ESP.

The only downtime is when Corea and Vitous break away for two duet improvs. The Monk tunes are rendered all slick and cheery. Regardless, he uncovers many riches, while Haynes is terrific as usual. Trio Music - Live in Europe Sept. There are some standards, a treacly Corea original, a Vitous original, and three extended solo spots.

Surely their actual concerts flowed better than this. Next up, Vitous scrapes out a bass solo of suspect intonations - best to skip it. Haynes then entertains with a drum solo. Overall, the CD is a mishmash, starting in at least three different directions and never quite going anywhere.

The front line varies from track to track but is drawn from the same roster: saxmen Redman and Garrett, trumpeter Wallace Roney, bassist Chris McBride, Corea, and Haynes. Haynes does a great job in this tune. Roney plays with precision, and McBride handles his chores well. Corea certainly did his homework to ensure that this was a worthy testament to Powell. I remember playing the disc incessantly when it first came out, and several years later, it still sounds great.

The sets mix original material and choice standards. The arrangements contrast different reeds flute, bass clarinet, soprano sax with pungent intervals and contrapuntal bass parts. We get to hear a lot of everybody there are several marathon lengths here.

Corea is on the ball and remarkably attuned to Cohen and Cruz in creating spontaneous changes of scenery. Despite the top-notch band and well-executed tunes, not much of the whole stands in memory. Origin itself, with slight personnel changes, made a studio album soon hereafter, and then disappeared. So much for an ongoing venture. His acoustic piano touch has always been lightning quick, and he crams a grand linear scope into the heat of spontaneous performance.

This is classic Chick Corea! The thing you want to avoid is playing something great for the first 8 measures, and then floundering aimlessly for the last four.

So in order to really get to know these chords, make sure that you spend a great deal of time becoming comfortable with them. Repeat them over and over without going to the rest of the chord progression. Play them slowly, as a ballad.